Alex Forey's exquisite lighting design and Simone Manfredini's original music transform the Park 90's stage into a very intimate hideaway — London Theatre Reviews

Alex Forey’s lighting design works wonders in maintaining the claustrophobic atmosphere of the makeshift subterranean dwelling — Jack The Lad

a highlight is Alex Forey's lighting. The design was cued perfectly to create the dim light of a cave — Curtain Call Reviews

Alex Forey cleverly uses a combination of side lights and the torch on a phone to evoke dinginess — The Spy in the Stalls

This clinical atmosphere is further brought to ‘light’ with the symmetrical fluorescent tubes. The harsh lighting adds to the atmosphere, emphasising the location, and compelling the pair into introspection — Everything Theatre

A good creative team, especially including lighting by Alex Forey which deserves a mention for its atmospheric and immersive qualities — Salterton Arts Review

Alex Forey’s lighting design also deserves particular praise for simple yet effective design that provides some of the most striking visuals in the show — Lost in Theatreland

stylish work by lighting designer Alex Forey — Time and Leisure

an eye-catching set designed by Constance Comparot which is stunningly brought to life in conjunction with wonderful dynamic lighting that allows this decaying country home to easily morph into vivid vignettes from Kitty’s life. The lighting, designed by Alex Forey, deserves calling out twice. I was excited as each scene progressed just to see how it would shift next; transforming Kitty’s home into a pub then a nightclub, a lonely country road illuminated by a car’s headlights then a misty morning hilltop, all executed flawlessly in cooperation with impeccable, haunting sound design from Florence Hand — London Pub Theatres

The mood is greatly aided by some superb lighting design by Alex Forey — LondonTheatre1

Constance Comparot’s set and Alex Forey’s lighting change the atmosphere from stark to mystical and dreamlike effortlessly with Jack Reardon’s assured direction — Fairy Powered Productions'

Lighting and sound is expertly mastered by Alex Forey and Florence Hand throughout the performance, in a way that gives light a voice, and gives sound a visual experience. — The Reviews Hub

Alex Forey’s lighting and Florence Hand’s sound combine to highly atmospheric effect, particularly in characterising Hildegard’s visions, at once something otherworldly yet viscerally terrifying as a seizure too — There Ought To Be Clowns

Gorgeous lighting and creative sound. The lighting is absolutely stunning. — Broadway World

Hildegard Von Bingen is certainly ambitious, with exemplary sound and lighting design (by Florence Hand and Alex Forey). — LouReviews

Alex Forey sensitively lights all of this, further enhancing the changing moods — Broadway Baby

strikingly lit by Alex Forey — Yehuda Shapiro, Opera

some of the most imaginative and impressive lighting I have seen at the Fringe — EdFringeReview